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For this illustration, I leaned heavily on the strong hue shifts of the Tamiya box art of Eiji Shimamura and Masami Onishi. Both artists' works stand out in the genre, making the "drab" military paint schemes pop. It's a study in use of coloration of lighting, but also one of patience- while digital speeds things up, each little functional element is a lighting, perspective, and logic exercise- each bolt, rail, edge casting a shadow, the shadow taking the bounce hue from either bluish or orange directions. This type of illustration is meant to clearly express the vehicle and detail accurately to a model builder so that there are little questions about the way something should be sized, shaped, or colored.

For this illustration, I leaned heavily on the strong hue shifts of the Tamiya box art of Eiji Shimamura and Masami Onishi. Both artists' works stand out in the genre, making the "drab" military paint schemes pop.

For this illustration, I leaned heavily on the strong hue shifts of the Tamiya box art of Eiji Shimamura and Masami Onishi. Both artists' works stand out in the genre, making the "drab" military paint schemes pop.

Military vehicle Concept Design Academy quick silhouette exploration, chop and bash. Essence of impactful design is in the overall shape, not the detail.

Military vehicle Concept Design Academy quick silhouette exploration, chop and bash. Essence of impactful design is in the overall shape, not the detail.

Angularity of military vehicle construction is a terrific way to start students off with sketching their ideas in perspective because the hard straight edges are very clear to see and check perspective.

Angularity of military vehicle construction is a terrific way to start students off with sketching their ideas in perspective because the hard straight edges are very clear to see and check perspective.

Very quick color rough in. Yellowed tan with reddish second plane lighting.

Very quick color rough in. Yellowed tan with reddish second plane lighting.

Next pass for color rough, adding cool reflected light.

Next pass for color rough, adding cool reflected light.